Awakening Bliss

The bronze vessel titled, Awakening Bliss has been accepted into the American Women Artists 2021 National Exhibition (being held virtually again this year): Lifting The Sky: Elevating the Works of American Women Artists. The exhibit will be accessible via beginning May 20, 2021 through August 21, 2021. Over 2000 entries were submitted for this exhibit of 150 works – we are honored to have Awakening Bliss chosen to be among the 150 works.

Twilight Stars Earns Award in Booth Western Art Museum Exhibition

Twilight Stars, inspired by the wild evening primrose plant is featured as part of the “Making Their Mark: American Women Artists” exhibition at the Booth Western Art Museum, Cartersville, GA. The virtual exhibit runs from May 23 – August 23, 2020. This piece earned the award of Distinguished Achievement in Sculpture in this prestigious exhibition.

The Booth is a prestigious museum and is a Smithsonian Institution Affiliate with the largest permanent collection of western art in the United States.

Visit this link to view the exhibit:

Awakening Bliss in 50th Annual Mountain Oyster Club Art Show

Awakening Bliss has been juried into the 50th Annual Contemporary Western Art Show – ranked as one of the top ten art shows/galleries in the southwest by Southwest Art Magazine. The exhibition opens November 24, 2019 and runs through January 11, 2020. For more information visit Mountain Oyster Club Tucson, AZ website.


Both Graceful One and In Vino Veritas I will be shown during ART WEEK at The Russell Museum in Great Falls, MT March 20-24, 2019 by The Samarah Fine Art Gallery of Whitefish, MT. This gala week event is when Great Falls truly comes to life as art overtakes the entire community with quick draws, musicians, art demonstrations, hotels filled with fine art and artists themselves available to visit. We are pleased to have two pieces be a part of this notoriously highly attended event.

Graceful One

In Vino Veritas I


The Shemer Museum and Art Center, 5005 West Camelback Road, Phoenix, AZ has invited In Vino Veritas I and Reality to be represented in their Mini Masterpieces Exhibition. The exhibition opens with a reception on February 21 from 6-8 PM. The exhibition runs from February 21 – March 21, 2019. Carol plans to attend the opening reception. We are honored to be a part of this exhibition.

In Vino Veritas I
11.25″ x 6.25″ x 6.25″

SOLD OUT, 1 Artist Proof Available $3200
6.5″ x 4.75″ x 4.75″

Love Blooms in Exhibit at Mesa Contemporary Arts Museum

Love Blooms will be included in the 2019, 40th Annual Crafts Exhibition at the Mesa Contemporary Arts Museum. Fifty works – representing 13 states – were chosen for the exhibition from 214 works. The 2019 juror is Luiza deCamargo, Associate Curator at the Society of Arts and Crafts.  The exhibition opens with a reception on February 8, 2019 from 7-10 Pm with musical entertainment by The Dusty Ramblers. The exhibit will be shown in the Dobson Main Gallery and runs through April 21, 2019.

Love Blooms
8.5″ x 4.75″ x 4.75″

Tucson Museum of Art Acquires Graceful One for Permanent Collection

Graceful One
14.5″ x 7″ x 7″

The Tucson Museum of Art has recently acquired the bronze vessel titled, Graceful One, for their permanent collection. This piece was inspired by the graceful weeping bottle brush tree. We are delighted to have this piece receive this recognition and take home within this incredible museum’s permanent collection. Read inspiration below:

The slightest breeze will move their delicate branches, even if unnoticed by most. Things are always moving, I believe, in gentle ways as well as larger, more obvious ways, on our behalf – and for our highest good. Most often in the midst of these movements, we are completely unaware of the infinite synchronicities beyond the human eye.  Branches of the weeping bottle brush do indeed move with the slightest breeze, reminding us of the incessant presence of grace, moving quietly and powerfully in the background of our lives.

These graceful, weeping branches also hold a unique habit of shooting seemingly barren branches, only to pop a brilliant bloom at the tip. This distinctive, luring, feature gives rise to deeper reflection. How often do we look upon something or someone, as ‘dead wood.’ neglecting to leave room for mystery, grace, or miracles simply hidden from the human eye? And how often have I experienced seasons of feeling as though nothing were truly alive within me, and then suddenly, one small or large event, person, experience or word, sprouts a new bloom of life, and everything feels immensely different – enlarged?

The genus name for weeping bottle brush means ‘beautiful stamen.’ The stamen is the pollen producer – the heart of the bloom.  It is a beautiful, scarlet bloom that gave name to the species because of its physical likeness to the common household bottle brush. Bottle brushes are used to clean those deep, dark corners so difficult to reach with any other tool.  We too, I reflected, often need some very special tools (grace, courage, compassion, love) to both reach and cleanse the deep, dark corners of our interiors. And often, this deep cleansing brings with it a share of weeping and of ‘letting go.’  A center core (Heart) holds the thread-like stamen of the bloom. Through both our weeping and our blooming, we too, are indeed held by a center Core.

While sculpting the vessel, I felt stuck at one point and surprisingly disconnected to it. When I first started sketching the surface of the clay with my needle tool, I thought I was creating a haven for several hummingbirds. I very much liked the idea of creating a haven for those incessant pollinators, as they fly wildly, their wings tracing the symbol of infinity. I knew well of their attraction to this tree of ‘beautiful stamen.’ Yet I could not see them in the branches and foliage I was sculpting. Thankfully, I have learned to surrender to the clay and that interior voice above my own limited projections and expectations. I sat, slowly spinning the vessel on the turntable and listening. Within minutes, a small voice within said, “you are missing a deeper connection to the heart of the piece”. I went to the keyboard and googled ‘weeping bottle brush stamen’ seeking a seed of clarity and clicking on the first reference I felt drawn toward. It opened a site, Nature’s Flower of Life and I was immediately guided back to the essence – the Heart – of this vessel. I found the words on the page giving voice to all that I held inside me.  I smiled, realizing once again, a tree had chosen ‘me’ to speak the words I most needed to hear again this season. The words of Solara Zwaneveld, a healing therapist in Australia, gently led me to yet another deeper wisdom of the weeping bottle brush.

I read and reflected on her words regarding the healing qualities of the weeping bottle brush flower essence:

“The energy of the Weeping Bottle brush soothes and relaxes the muscles, allowing a letting go [cleansing] of the tension of holding onto struggle and fear associated with survival of being within this human body. When the body relaxes into a state of peace, the pulsating energy of the seeds of truth that lie behind the illusion of life’s dramas, opens the way to re-membering the Divine Being of Light that you [we] are.

I see the doctrine of signatures of this beautiful, vibrant red flower in the multitude of red thread-like stamen that make up the flower. These, I was shown, to be likened to many threads of energy connecting each Hu-Man Being to the Source of all of creation [and to one another], from their heart centers.”

Used with the generous permission of Solara Zwaneveld,

I reflected, with Solara, on the profound qualities of all those scarlet threads as our common bloodlines. When I cleanse a part of myself, I was reminded, I cleanse a part of all of us. And when I weep, I never truly weep alone. And, in this process of growing in peace, we are able to profoundly recognize our common divinity. We are woven together by grace.

Graceful One in her vessel form, opens herself to both receive and to give. She opens herself that she might open a part of all of us, to give and to receive, cleanse and bloom, and remind us of Who we are and all we share, through grace.


Womb of Life at Haggin Museum Exhibition

Womb Of Life
7.50″ x 5.75″ x 4.25″

Full Sun: American Women Artists Illuminate the Haggin is the exhibition title of the 2018 American Women Artists Master and Signature museum exhibition, and Womb of Life has been selected as a part of this exhibit. For this exhibition, members of American Women Artists (AWA) were asked to create artwork that was inspired by (or reflects)  a selection of 13 paintings from the Haggin Museum’s 19th – 20th-century art including works by William Merritt Chase, Albert Bierstadt, Rosa Bonheur, Pierre-Auguste Renoir, and other notable artists.  This juried exhibition includes nearly 100 pieces of artwork that include paintings and sculptures from notable women artists in North America and Canada. The exhibition opened August 2, 2018 and will continue through September 16, 2018. The Haggin Museum is located in Stockton, CA.


I submitted Womb of Life, in response to The Juniata River painting by George Inness. Womb of Life invites us to embrace EACH of life‘s events as our utter nourishment for growth, as we are held, protected, nourished and grown toward a new birth within the Womb of Life.