Luxe. Design + Interiors Magazine

The Fall 2011 Arizona issue of Luxe. Interiors + Design Magazine features a two page article on Carol and her work as “the best kept secret in the Southwest.”  Woodland Queens and Celestial Joy are presented as well as a short article on her work. Carol is very excited to witness the first appreciation in public print to her team of artists helping to transform  her work into the bronze forms – those she calls her “ghost artists” working tirelessly and with exceptional skill and talent at the foundry. She holds these artists in highest esteem and works very closely with them to create her body of work; as they assist her in bringing her visions to reality and to our world. Far too rarely are these talented persons acknowledged for their outstanding talent and dedication to this work.

Arabella Magazine

Arabella, a Canadian Art, Architecture and Design magazine, features Carol Alleman in Fabulous Finds within the 2011 Autumn issue; six of her vessels and The Seed are included.

Carol’s work is again featured in the 2013 Summer Issue of Arrabella, in Fabulous Finds.

Carol’s Work Included in Indianapolis Museum of Art’s Conservation Department

Remembering Gratitude $1,800 8.25" x 3.5" x 3.5"

Remembering Gratitude

The Indianapolis Museum of Art is the premier cultural resource for the state of Indiana and a major arts-based institution for the Midwest. Currently, the museum is building a new state-of-the-art scientific research laboratory in which to house its highly respected Art Conservation Department. Carol’s Remembering Gratitude will become a permanent part of this science lab collection – per request of the Conservation Department.

“The laboratory will be a high profile feature  for the museum with frequent visitors, including curators, donors, trustees, and the public. It will provide a captivating avenue for discussing artists’ materials, craftsmanship, the processes of material aging and how conservation intervenes, and the ways that science can enlighten us about our cultural patrimony – how an object was made, what materials were used by the artist, and how an object reacts with its surroundings.“ ~Dr. Gregory Dale Smith, Senior Conversation Scientist

Carol’s deliberate and intricate patination process is of particular interest to the museum laboratory. It is hoped that Remembering Gratitude will make a significant contribution in IMA’s Art Conservation Department’s studies to help understand how to best display and preserve bronze works; and specifics on how conservation intervenes.

Artist For Conservation Foundation

Carol is a member of the acclaimed Artists for Conservation Foundation. The foundation limits the number of artists it represents and Carol is proud to be part of their worthy mission of exceptional support for the preservation of our natural world. “It is indeed an honor to be an active member of the Artists for Conservation community. I enthusiastically anticipate my work – in cooperation with others -making a significant contribution to conservation efforts.” The Artists for Conservation Foundation (AFC) is a non-profit, international organization dedicated to the celebration and preservation of the natural world. Based in Vancouver, Canada, the Foundation represents the world’s leading collective of artists focused on nature and wildlife, with a membership spanning five continents and twenty-seven countries. The organization’s mission is to support wildlife and habitat conservation, biodiversity, sustainability and environmental education through art that celebrates our natural heritage.

Artists for Conservation Foundation - Signature Member - Supporting Nature Through Art